Tango Siempre

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Track 01 - Diablo Fast (02:54)
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Track 02 - Diablo Slow (08:30)
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Track 03 - Beach 26 (05:54)
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Track 04 - Sweet Dreams (07:44)
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Track 05 - Cascada (07:21)
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Track 06 - Los Pasos Gigantes (07:36)
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Track 07 - Nazareth (09:17)
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Track 08 - No Te Olvido (08:49)
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Track 09 - Cumparsita (05:44)
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Tangents

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Tango Siempre's 2006 CD Tangents features special guests Gilad Atzmon and Steve Arguelles. It's on the Galileo-MC label and is in a beautiful digipak with a 16 page booklet. If you would like to buy Tangents you can either pay using Google Checkout (see button on the right), download the album as highest quality mp3 files (192 kbps, see buttons on left) or send an email to This e-mail address is being protected from spam bots, you need JavaScript enabled to view it and we will reply to let you know where to send a cheque.


Press Reviews of Tangents:

"You can't fault Tango Siempre, the British ensemble based around the talents of accordionist Pete Rosser, violinist Ros Stephen and pianist Jonathan Taylor. Since forming in the late 90s they've done everything right; touring, commissioning new music and pushing the limits of the idiom, while delivering performances that have the verve and passion you might expect from, well, older, less British players. Where 2005's Tangled featured tunes by several outside composers, Tangents focuses on the trio's own work and adds several guests including saxophonist Gilad Atzmon, superb on tenor, and drummer Steve Arguelles. Numbers such as Sweet Dreams evoke the spirit of Barbieri's Last Tango in Paris while remaining completely original. Tangents is beautifully recorded by Philip Bagenal, whose sound is always fiercely committed to his artists' aims, and closes on Cumparsita, an Argentinian classic" (****) - John L. Walters, The Guardian

"Since their formation in 1998, the UK accordion- violin-piano trio Tango Siempre have been invigorating the melodramatic textures of nuevo tango with their jazz- and contemporary music- influenced compositions. On this third album, the core group is fleshed out with two additional strings plus saxophonist Gilad Atzmon and drummer/programmer Steve Arguilles. Tango's bittersweet accordion melodies, violin glissandos and rumbling rhythms are still the focus, but the extra strings add to the pathos and Atzmon adds to the fire of the emotional palette." - MH, Financial Times

"This new collaboration... is simply electrifying. It's basically tango, but spiced up with jazz and electronically burnished to a high gloss: major virtuosity shines throughout." - The Scotsman

Unknown Public: UP's favourite releases this week! Tango Siempre feat. Gilad Atzmon & Steve Argüelles / Tangents / Galileo Music Tangents, Tango Siempre's newest album follows in their fluid, sparkly playing style, only this time (unlike their previous two albums), Tango Siempre perform their own compositions and incorporate special guests: BBC Jazz Award winner saxophonist Gilad Atzmon, and on drums and electronics, Loose Tubes' Steve Argüelles. Atzmon's sax adds to the music in a subtle, non-intrusive way giving the album a jazzier edge. A couple of tracks engage light electronic drumbeats but this does not encroach on the dance-club orientation of tango electronica originators: Bajofondo Tango Club and Gotan Project. "Nazareth" a piece composed by Atzmon displays his versatility on the saxophone – it flows with jazzy Middle Eastern / Turkish melodies, occasionally making his saxophone sound like a zurna. Solos by Tango Siempre are rare in the album – Ros Stephen's striking solo in "Los Pasos Gigantes" is a gem. Other highlights include "No Te Olvido" by Pete Rosser who plays the accordion in the group, "Sweet Dreams" by pianist Jonathan Taylor and "Cumparsita" a G. Matos Rodriguez piece arranged by Taylor." - John L. Walters

"The core trio, Tango Siempre (accordionist Pete Rosser, violinist Ros Stephen, pianist Jonathan Taylor), have been interpreting tango in a variety of musical contexts since 1998, and here they are joined by saxophonist Gilad Atzmon and drummer/electronics master Steve ArgŸelles (plus viola player Bethan Lewis) in a set mainly comprised of in-band originals, but which also includes a polystylistic piece by Atzmon ('Nazareth') and a fresh interpretation of 'La Cumparsita' culminating in a 'sample' of the original. The most obvious stylistic debt is unsurprisingly owed to Astor Piazzolla's nuevo tango and its most celebrated recorded manifestation, Tango Zero Hour (indeed the album's first two Taylor pieces could have been taken from that album, such is their resemblance to material from it), but what is most impressive about this beguiling and intensely listenable album is the ease and naturalness with which Atzmon and his regular bassist Yaron Stavi fit into the proceedings. Atzmon's soprano contribution to the slow-burning 'Diablo Slow', for instance, is simply sublime, his tone pure and keening; and his own piece 'Nazareth' seamlessly weaves Middle Eastern cadences and jazz in with tango rhythms to great effect; taking a less overtly jazz-based approach than Paquito D'Rivera (who performed a similar function with Piazzolla), Atzmon (as he did recently with guitarist Nicolas Meier on his Turkish-music album YŸz) proves yet again just how adaptable and powerful a player he is. Rosser, Stephen and Taylor continue to mine a wonderfully rich seam of music, and their choice and use of 'jazz' partners on this attractive album has paid rich dividends. " - Chris Parker, Vortex Jazz

 
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