Tango Siempre's 2006 CD Tangents features special guests Gilad Atzmon
and Steve Arguelles. It's on the Galileo-MC label and is in a beautiful
digipak with a 16 page booklet.
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Press Reviews of Tangents:
"You can't fault Tango Siempre, the British ensemble
based around the talents of accordionist Pete Rosser, violinist Ros
Stephen and pianist Jonathan Taylor. Since forming in the late 90s
they've done everything right; touring, commissioning new music and
pushing the limits of the idiom, while delivering performances that
have the verve and passion you might expect from, well, older, less
British players.
Where 2005's Tangled featured tunes by several outside composers,
Tangents focuses on the trio's own work and adds several guests
including saxophonist Gilad Atzmon, superb on tenor, and drummer Steve
Arguelles. Numbers such as Sweet Dreams evoke the spirit of Barbieri's
Last Tango in Paris while remaining completely original. Tangents is
beautifully recorded by Philip Bagenal, whose sound is always fiercely
committed to his artists' aims, and closes on Cumparsita, an
Argentinian classic" (****) - John L. Walters, The Guardian
"Since
their formation in 1998, the UK accordion- violin-piano trio Tango
Siempre have been invigorating the melodramatic textures of nuevo tango
with their jazz- and contemporary music- influenced compositions. On
this third album, the core group is fleshed out with two additional
strings plus saxophonist Gilad Atzmon and drummer/programmer Steve
Arguilles. Tango's bittersweet accordion melodies, violin glissandos
and rumbling rhythms are still the focus, but the extra strings add to
the pathos and Atzmon adds to the fire of the emotional palette." - MH,
Financial Times
"This new collaboration... is simply electrifying. It's
basically tango, but spiced up with jazz and electronically burnished
to a high gloss: major virtuosity shines throughout." - The Scotsman
Unknown Public:
UP's favourite releases this week!
Tango Siempre feat. Gilad Atzmon & Steve Argüelles / Tangents /
Galileo Music
Tangents, Tango Siempre's newest album follows in their fluid, sparkly
playing style, only this time (unlike their previous two albums), Tango
Siempre perform their own compositions and incorporate special guests:
BBC Jazz Award winner saxophonist Gilad Atzmon, and on drums and
electronics, Loose Tubes' Steve Argüelles. Atzmon's sax adds to the
music in a subtle, non-intrusive way giving the album a jazzier edge. A
couple of tracks engage light electronic drumbeats but this does not
encroach on the dance-club orientation of tango electronica
originators: Bajofondo Tango Club and Gotan Project. "Nazareth" a piece
composed by Atzmon displays his versatility on the saxophone – it flows
with jazzy Middle Eastern / Turkish melodies, occasionally making his
saxophone sound like a zurna. Solos by Tango Siempre are rare in the
album – Ros Stephen's striking solo in "Los Pasos Gigantes" is a gem.
Other highlights include "No Te Olvido" by Pete Rosser who plays the
accordion in the group, "Sweet Dreams" by pianist Jonathan Taylor and
"Cumparsita" a G. Matos Rodriguez piece arranged by Taylor." - John L.
Walters
"The core trio, Tango Siempre (accordionist Pete Rosser, violinist Ros
Stephen, pianist Jonathan Taylor), have been interpreting tango in a
variety of musical contexts since 1998, and here they are joined by
saxophonist Gilad Atzmon and drummer/electronics master Steve ArgŸelles
(plus viola player Bethan Lewis) in a set mainly comprised of in-band
originals, but which also includes a polystylistic piece by Atzmon
('Nazareth') and a fresh interpretation of 'La Cumparsita' culminating
in a 'sample' of the original.
The most obvious stylistic debt is unsurprisingly owed to Astor
Piazzolla's nuevo tango and its most celebrated recorded manifestation,
Tango Zero Hour (indeed the album's first two Taylor pieces could have
been taken from that album, such is their resemblance to material from
it), but what is most impressive about this beguiling and intensely
listenable album is the ease and naturalness with which Atzmon and his
regular bassist Yaron Stavi fit into the proceedings.
Atzmon's soprano contribution to the slow-burning 'Diablo Slow', for
instance, is simply sublime, his tone pure and keening; and his own piece
'Nazareth' seamlessly weaves Middle Eastern cadences and jazz in with
tango rhythms to great effect; taking a less overtly jazz-based
approach than Paquito D'Rivera (who performed a similar function with
Piazzolla), Atzmon (as he did recently with guitarist Nicolas Meier on
his Turkish-music album YŸz) proves yet again just how adaptable and
powerful a player he is.
Rosser, Stephen and Taylor continue to mine a wonderfully rich seam of
music, and their choice and use of 'jazz' partners on this attractive
album has paid rich dividends. " - Chris Parker, Vortex Jazz
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